Analyzing experimental music performance in ‘AquaSonic’ by Between Music

Robi Rusdiana, Shivani Ramadhanty

Abstract


This essay analyzes the performance of experimental music in Between Music's Aquasonic Project using aqualitative approach. We investigate the creative combination of music and underwater performance art byanalyzing various sources such as literature and audio-visual information found on platforms like YouTube. The essay explores the distinctive difficulties and artistic opportunities that arise from performing musicunderwater, focusing specifically on Between Music's Aquasonic Project. The project explores the ways in which it challenges the conventional norms of music performance by combining avant-garde music, visual arts, and scientific investigation. The study reveals the complex and diverse aspects of the Aquasonic Project,emphasizing its dependence on specialized instruments, the acoustic characteristics of water, and thephysical interactions between the performers and their underwater surroundings. The essay offers a detailedanalysis of the experimental music performance landscape in the Aquasonic Project by combining insightsfrom study literature and analysis video on YouTube. It highlights the need to work together across several disciplines, using advanced technology and exploring new artistic ideas to expand the limits of musical expression. Moreover, the study proposes possible areas for future investigation and artistic development inthe field of underwater music performance, highlighting its capacity to evoke wonder, stimulate contemplation,and alter traditional concepts of musical engagement.


Keywords


Experimental; Music performance; Music composition; Aquasonic; Beetween music

Full Text:

PDF

References


Akbar, M. A., & Marwati, M. (2015). Gedung orkestra di makassar dengan pendekatan arsitektur futuristik. Nature: National Academic Journal of Architecture, 2(1), 97-109.

Aydın, S., Güdücü, Ç., Kutluk, F., Öniz, A., & Özgören, M. (2019). The impact of musical experience on neural sound encoding performance. Neuroscience letters, 694, 124-128.

Bao, J., Wang, X., Zheng, Y., Zhang, F., Huang, X., & Sun, P. (2020). Lightning performance evaluation of transmission line based on data-driven lightning identification, tracking, and analysis. IEEE Transactions on electromagnetic compatibility, 63(1), 160-171.

Booyens, I., & Rogerson, C. M. (2019). Creative tourism: South African township explorations. Tourism Review, 74(2), 256-267.

Bürki, A., Viebahn, M., & Gafos, A. (2020). Plasticity and transfer in the sound system: exposure to syllables in production or perception changes their subsequent production. Language, Cognition and Neuroscience, 35(10), 1371-1393.

Datsios, Z. G., Mikropoulos, P. N., & Tsovilis, T. E. (2019). Effects of lightning channel equivalent impedance on lightning performance of overhead transmission lines. IEEE Transactions on Electromagnetic Compatibility, 61(3), 623-630.

De Fretes, D., & Listiowati, N. (2020). Pertunjukan musik dalam perspektif ekomusikologi.

Promusika, 8(2), 109-122.

Desai, D., & Mehendale, N. (2022). A review on sound source localization systems. Archives of Computational Methods in Engineering, 29(7), 4631-4642.

Desyandri, D., Zuryanty, Z., & Mansurdin, M. (2020). Pelatihan pembelajaran seni musik sebagai sarana literasi budaya untuk guru Sekolah Dasar: Music Arts Learning Training as a Means of Culture Literation for Elementary School Teachers. PengabdianMu: Jurnal Ilmiah Pengabdian kepada Masyarakat, 5(2), 119-126.

Divanti, A. P. (2021). Analisis daya tarik penonton melalui experiential marketing pada pertunjukan drama musikal hamlet. TONIL: Jurnal Kajian Sastra, Teater dan Sinema, 18(1), 49-60.

Donmez, I. (2021). Impact of out-of-school STEM activities on STEM career choices of female students. Eurasian journal of educational research, 91, 173-203.

Forintos, N., & Czigany, T. (2019). Multifunctional application of carbon fiber reinforced polymer composites: Electrical properties of the reinforcing carbon fibers–A short review. Composites Part B: Engineering, 162, 331-343.

Husni, W., Haris, A. S., Rafiloza, R., & Zulfahmi, M. (2021). Syncop section inspirasi vokal goreh tapuk galambuak randai Minangkabau dalam karya komposisi musik karawitan. Jurnal Musik Etnik Nusantara, 1(2), 140-158.

Houser, K. W., Boyce, P. R., Zeitzer, J. M., & Herf, M. (2021). Human-centric lighting: Myth, magic or metaphor?. Lighting Research & Technology, 53(2), 97-118.

Indrawan, B., & Sunarto, S. (2016). Bentuk komposisi dan pesan moral dalam pertunjukan musik Kiaikanjeng. Catharsis, 5(2), 114-122.

Jaatinen, J., Pätynen, J., & Alho, K. (2019). Octave stretching phenomenon with complex tones of orchestral instruments. The Journal of the Acoustical Society of America, 146(5), 3203-3214.

Larsson, C., & Georgii-Hemming, E. (2019). Improvisation in general music education–a literature review. British Journal of Music Education, 36(1), 49-67.

Loveridge, B. (2020). Networked music performance in virtual reality: current perspectives. Journal of Network Music and Arts, 2(1), 2.

Mortola, J. P. (2019). How to breathe? Respiratory mechanics and breathing pattern. Respiratory physiology & neurobiology, 261, 48-54.

Mulder, J., Hill, A. J., Burton, J., Kok, M., & Lawrence, M. (2022). Sound level monitoring at live events, part 2---regulations, practices, and preferences. Journal of the Audio Engineering Society, 70(1/2), 62-72.

Orlandi, G. (2019). Joseph Edkins and the “Discovery” of Early Chinese: The linguistic ideas behind the first (partial) reconstruction of the sound system of Early Chinese. Journal of the Royal Asiatic Society, 29(3), 519-541.

Parabhoi, L., Sahu, R. R., Dewey, R. S., Verma, M. K., Kumar Seth, A., & Parabhoi, D. (2021). YouTube as a source of information during the Covid-19 pandemic: a content analysis of YouTube videos published during January to March 2020. BMC Medical Informatics and Decision Making, 21, 1-10.

Pätynen, J., & Lokki, T. (2016). Concert halls with strong and lateral sound increase the emotional impact of orchestra music. The Journal of the Acoustical Society of America, 139(3), 1214-1224.

Soares, F., Antunes, J., & Debut, V. (2021). Tuning of bending and torsional modes of bars used in mallet percussion instruments. The Journal of the Acoustical Society of America, 150(4), 2757-2769.

Sudirana, I. W. (2019). Tradisi versus modern: Diskursus pemahaman istilah tradisi dan modern di Indonesia. Mudra Jurnal Seni Budaya, 34(1), 127-135.

Utomo, D. S. (2020). Musik noise: Sebuah seni, ekspresi, dan perlawanan. Umbara, 3(1), 44- 53.

Woody, R. H. (2021). Music education students’ intrinsic and extrinsic motivation: A quantitative analysis of personal narratives. Psychology of Music, 49(5), 1321-1343.

Zhang, C., He, L., Zhou, L., Yang, O., Yuan, W., Wei, X., ... & Wang, Z. L. (2021). Active resonance triboelectric nanogenerator for harvesting omnidirectional water-wave energy. Joule, 5(6), 1613-1623.

Zhukov, K. (2019). Current approaches for management of music performance anxiety: An introductory overview. Medical problems of performing artists, 34(1), 53-60.

Zulić, H. (2019). How AI can change/improve/influence music composition, performance and education: three case studies. INSAM Journal of Contemporary Music, Art and Technology, (2), 100-114.




Copyright (c) 2024 Universitas Pendidikan Indonesia

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Interlude FPSD © 2024