The Philosophical Meaning of Sundanese, Javanese and Colonial Architectural Elements in the Manonjaya Grand Mosque

Shella Agustina, Sri Handayani

Abstract


ABSTRACT:

This study explores the cultural acculturation in the architecture of the Great Mosque of Manonjaya in Tasikmalaya Regency, Indonesia, which reflects a blend of local traditions, Hindu-Buddhist influences, and Islam. With over 245 million Muslim populations, Indonesia has a rich cultural heritage reflected in its diverse mosque buildings. The Great Mosque of Manonjaya, built in 1832, is a legacy of the Sukapura Kingdom and is now protected as a Cultural Heritage. This study uses a qualitative descriptive method through observation, interviews, and literature review. The results show several key architectural elements that represent acculturation, such as the three-tiered roof inspired by the concept of punden berundak, a symbol of human life, and Hindu-Buddhist influences from the Mataram Kingdom. The Soko Guru pillar structure and mustaka (memolo) show the adaptation of sacred Hindu-Buddhist elements. The neoclassical colonial-style mosque porch, with Doric columns, pediment and entablature, integrates colonial influences with Sundanese and Javanese culture, creating a majestic impression while reflecting the local culture's openness to external influences. Thus, the Great Mosque of Manonjaya becomes an important symbol of unique cultural acculturation and Islam in Indonesia.


Keywords


architectural elements; great mosque of Manonjaya; cultural acculturation;

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References


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DOI: https://doi.org/10.17509/jaz.v8i1.79289

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