Raya and The Last Dragon : Representation of Southeast Asian Culture in Film

Isma Fathanah, Luthfi Mustika Framesthia, Rabi’ah Al-Adawiyah, Silmy Shabrina Mujahadah, Mira Pitriani

Abstract


Each country has a different culture with its own uniqueness. Each country also has its own way of maintaining its culture, either through education, festivals, formal or informal education, etc. However, in practice many countries have difficulties. Therefore, several countries maintain their culture through one of the arts fields, one of which is the film Raya The Last Dragon. Film Raya and The Last Dragon is a film produced by Walt Disney Animation Studios. The film was directed by Don Hall and Calos Lopes Estrada and the screenplay was written by Qui Nguyen and Adele Lim. This film tells the story of a female warrior named Raya who lives with animals as well as a means of transportation named Tuktuk in a prosperous  land, until finally becoming a dystopia world. In this film there are scenes that show several cultures in Southeast Asia. Thus, researchers are interested in re-representing and describing the culture of Southeast Asia to be conveyed in the film. This study uses a descriptive qualitative method, based on the philosophy of postpositivism, which is used to examine the condition of natural objects. From the results of this study, researchers can conclude that the film Raya and The Last Dragon presents the country of Kumandra which characterizes cultures in Southeast Asia. The purpose of this film is to show unity in differences, accept each other and coexist in many differences.


Keywords


Culture; Southeast Asia; Film; Raya and The Last Dragon

Full Text:

PDF

References


Atmaja, K. (2021). the Analysis of Semiotics in “the Main Character of Raya and the Last Dragon Film.” Lingua : Jurnal Ilmiah, 17(2), 45–64. https://doi.org/10.35962/lingua.v17i2.87

Biran, Y. M. (2009). Sejarah Film 1900-1950 Bikin Film di Jawa (kedua). Komunitas Bambu.

Fatimatuzzahra setyo khairunnisa, S. M. (2021). REPRESENTASI PEREMPUAN DALAM FILM RAYA AND THE LAST Film merupakan sebuah seni audiovisual yang pertama kali lahir pada pertengahan abad ke-19 yang dibuat seluloid yang mudah terbakar ( Effendy , audiovisual yang dan oleh berbagai segmen sosial karena fil. Jurnal Riset Komunikasi, 12(2), 148–163.

Hamzah, A., & Nafsika, S. S. (2021). Analisis Dystopia Dalam Film Wall-E Dystopia Analysis in Wall-E Movie. Cinematology, 1(1), 49–58.

Lim, Q. N. and A. (2022). Raya And The Last Dragon. Walt Disney Animation Studios.

Manalu, Y. E., & Warsana, D. (2021). Film Yowis Ben Sebagai Media Komunikasi Promosi Wisata Kota Malang Yowis Ben Film as a Communication Media for Malang City Tourism Promotion. Cinematology, 1(1), 49–57.

Martin, A. (2014). Mise en Scène and Film Style. In Mise en Scène and Film Style. https://doi.org/10.1057/9781137269959

Nafsika, S. S. (2019a). Analisis Visual Kesenian Sasapian Desa Cihideung. Irama: Jurnal Seni Desain Dan Pembelajarannya, 1(2), 66–73. https://ejournal.upi.edu/index.php/irama/article/view/21894

Nafsika, S. S. (2019b). Sunda Cultural Rationality Patterns in Changes of Form, Function and Meaning of Sasapian. 255(Icade 2018), 247–252. https://doi.org/10.2991/icade-18.2019.57

Nafsika, S. S., & Huda, A. S. (2021). Estetika : Persfektif Semiotika dan Semantik pada film Salam dari Kepiting Selatan. 2, 7–13.

Nafsika, S. S., & Razan, A. P. (2021). Estetika : Persfektif Semiotik dan Semantik Film Free Guy. 1, 18–21.

Nafsika, S. S., & Soeteja, Z. S. (2021). Learning Innovation of Constructive Drawing in One Point Perspective Subject. 519(Icade 2020), 174–180. https://doi.org/10.2991/assehr.k.210203.037

Neupert, R. (2007). A History of the French New Wave cinema. A History of the French New Wave Cinema, 50(39), 1–408. https://doi.org/10.5860/choice.40-5121

Pauhrizi, E. M. (2020). Merancang Treatment Film “ Sang Seniman ” melalui Paradigma Estetika ( Aesthesis ) Dekolonial. Irama, 2(1), 1–12.

Rengganis, T., & Tjahjodiningrat, H. (2021). Perancangan Film Dokumenter “ Living In The Sunlight ” Fakultas Pendidikan Seni dan Desain Documentary Film Design “ Living In The Sunlight .” Cinematology, 1(1), 102–115.

Riandi, W., Briliantana, R., & Nafsika, S. S. (2021). Good Day : Persfektif Estetika Pada Karya Audio Visual Iklan Kopi Good Day : Aesthetic Perspectives on Audio Visual Coffee Advertisements. 1(3), 17–22.

Saraswati, A., Widhiyanti, K., & Galuh Fatmawati, N. (2021). Desain karakter film animasi Raya and The Last Dragon dalam membangun politik identitas Asia Tenggara. Satwika : Kajian Ilmu Budaya Dan Perubahan Sosial, 5(2), 254–267. https://doi.org/10.22219/satwika.v5i2.17587

Sobur, A. (2003). Semiotika Komunikasi. PT. Remaja Rosdakarya.

Sugiyono. (2011). Metode Penelitian Kuantitatif, Kualitatif dan R&D. Afabeta.

Supiarza, H. (2019). Rekonstruksi Musik Keroncong Anak Muda di Kota Bandung. Universitas Padjadjaran.




DOI: https://doi.org/10.17509/ftv-upi.v2i2.45669

Copyright (c) 2022 Universitas Pendidikan Indonesia

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

P-ISSN 2797-7099
E-ISSN 2797-9903

 

Address:

Program Studi Film Dan Televisi, Fakultas Pendidikan Seni Dan Desain, Universitas Pendidikan Indonesia. Gedung FPSD - Jl. Dr. Setiabudi No.229, Isola, Kec. Sukasari, Kota Bandung, Jawa Barat 40154, Bandung, Provinsi Jawa Barat. (022)200-9198. ftv_fpsd@upi.edu

Cinematology: Journal Antology of film and television studies is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License