THE FUNCTION OF REAK ARTS FOR CHILDREN TODAY IN CIBOLERANG VILLAGE, CINUNUK VILLAGE, CILEUNYI, BANDUNG DISTRICT
Abstract
West Java has folk art that has various functions and forms, such as Reak art in Ciborelang Village, Cinunuk Village, Cileunyi District, Bandung Regency. The Reak art has changed its function from ritual, entertainment, to games. Children and adult men in Ciborelang Village, Cinunuk Village, play Reak at certain events, especially for children, Reak art is used as a game. The problem of this research is: What is the function of Reak art being played by children today? This study uses a qualitative approach with descriptive analysis method. Data collection was carried out by means of observation, interviews, and documentation studies and literature studies. The results were analyzed to answer the problems raised in this study. This study concluded that the Reak art played by children functions as a game to fill their free time after coming home from school or on holidays. The number of players is between 10 or 15 children aged around 10-15 years. The form of the show is carried out by helaran or procession using musical instruments, such as: drum, badublag, brung, tilingtit, tong and vocals (cheers). The clothes use everyday clothes, such as: t-shirts (long or short sleeves) and pants (long or short). Reak players wear a large mask property called a barokan made of wood that resembles a crocodile's mouth and can be moved open and closed, the body is covered by a burlap sack. The dance moves are carried out spontaneously with the feet stepping alternately, the body slightly lowered and the arms opened wide similar to the movement of the pencak, the head turns left and right. The Reak show gives meaning to children to express, be creative, work together, respect each other, and learn to organize.
Keywords
Full Text:
PDFReferences
Creswell. (1998). Qualitative Inquiry: Choosing Among Five Traditions. SAGE Publications Inc.
Efendi, R., Safitri, D. R., Nurmawati, I., & Ilmiyah, T. (2010). Dampak Penguasaan Kawasan Halimun oleh Pemerintah dan Korporasi Terhadap Kehidupan Masyarakat Adat Kasepuhan Ciptagelar. Jurnal Antropologi Ekologi, 1–23.
Kurnia, G., & Nalan, S. A. (2008). Deskripsi kesenian Jawa Barat. Kerjasama Dinas Kebudayaan & Pariwisata, Jawa Barat [dengan] Pusat Dinamika Pembangunan, Unpad, 2003.
Nurfirdausiah herlina, S., & Katiah. (2020). BENJANG HELARAN SEBAGAI MOTIF BUSANA READY TO WEAR DENGAN TEKNIK HAND PAINTING. Jurnal Da Moda, 2(1), 14. https://jurnal.std-bali.ac.id/index.php/damoda
Nusanto, T. S., & Widiyanto, N. (2021). Eksistensi adat, tanah ulayat dan pariwisata di kasepuhan ciptagelar, jawa barat. Pariwisata Budaya: Jurnal Ilmiah Pariwisata Agama Dan Budaya, 6(1), 11.
Prabowo, Y. B., & Sudrajat, S. (2021). Kearifan Lokal Kasepuhan Ciptagelar: Pertanian Sebagai Simbol Budaya & Keselarasan Alam. Jurnal Adat Dan Budaya Indonesia, 3(1), 6. https://doi.org/10.23887/jabi.v3i1.31102
Ratna, N. K. (2016). Metode Penelitian. Pustaka Pelajar.
Rohendi, H. (2016). Fungsi Pertunjukan Seni Reak di Desa Cinunuk Kecamatan Cileunyi. Pendidikan Dan Kajian Seni, 1(1), 54–65.
Rosita, & Prasetio, A. (2019). Perilaku Komunikasi Pada Masyarakat Adat Kasepuhan Ciptagelar. EProceedings …, 6(2), 5213–5222. https://openlibrarypublications.telkomuniversity.ac.id/index.php/management/article/view/10573
Rosyadi. (2015). FENOMENA PENGGUNAAN MAGI PADA KALANGAN SINDEN DI KABUPATEN SUBANG-JAWA BARAT (STUDI TENTANG SISTEM RELIGI) THE PHENOMENA OF THE USE OF MAGIC IN SINDEN OF SUBANG REGENCY-WEST JAVA (THE STUDY OF BELIEFS SYSTEM). Patanjala, 7(1), 147–162. http://www.indocell.net/yesaya/pustaka2/id492
Siswantara, Y. (2021). Pengembangan Nilai Religius Nasionalis Berbasis Budaya Lokal Melalui Kesenian Seni Reak. LP3MKIL, 1(2), 47–63.
Supiarza, H., Setiawan, D., & Sobarna, C. (2019). Pola Permainan Alat Musik Keroncong dan Tenor di Orkes Keroncong Irama Jakarta. Resital: Jurnal Seni Pertunjukan, 20(2), 108–120. https://doi.org/10.24821/resital.v20i2.2459
Willfridus Demetrius Siga, K. S. T. M. T. J. H. R. (2021). LITERASI PANCASILA DALAM SENI PERTUNJUKAN REAK DI KAMPUNG JATI, KELURAHAN PASIR BIRU, KECAMATAN CIBIRU. Jurnal PADMA, 1(2), 93–97.
DOI: https://doi.org/10.17509/ftv-upi.v3i1.55788
Copyright (c) 2023 Universitas Pendidikan Indonesia

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
P-ISSN 2797-7099
E-ISSN 2797-9903
Address:
Program Studi Film Dan Televisi, Fakultas Pendidikan Seni Dan Desain, Universitas Pendidikan Indonesia. Gedung FPSD - Jl. Dr. Setiabudi No.229, Isola, Kec. Sukasari, Kota Bandung, Jawa Barat 40154, Bandung, Provinsi Jawa Barat. (022)200-9198. ftv_fpsd@upi.edu
Cinematology: Journal Antology of film and television studies is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License