Korean Drama Blind: Analysis Using Charles S. Peirce's Mutually Exclusive Theory
Abstract
Korean drama or Drakor is one of the shows that is popular with various groups. One of the dramas that has a high rating in 2022 is entitled "Blind". With the mystery-detective genre, this drama has many plot twists. Tells about a typical murder, and the killer asks for a jury trial. The jury summoned for the trial consisted of seven people. The main characters in this drama are Ryu Sung Hoon as the judge from this specialty, Ryu Sung Joon, the judge's younger brother who is the detective in this case, and Eun Ki, a social worker and one of the seven trial jurors.In storytelling, of course there will be choices to build the narrative, this can be called the mutually exclusive theory. Mutually exclusive itself is an event whose occurrence cannot occur simultaneously at the same time. Indirectly here it is explained that there will be two or more choices or events that cannot occur simultaneously at the same time. So there must be something chosen and left behind, there will be things that will happen and things that will not happen. By using the mutually exclusive theory the author will apply it to the drama Blind. In almost every episode the character will be faced with various plots and choices and he can only choose one of these choices at the same time.
Keywords
Full Text:
PDFReferences
Ardia, V. (2014). Drama Korea dan Budaya Popular. LONTAR: Jurnal Ilmu Komunikasi, 2(3), 12–18. https://e-jurnal.lppmunsera.org/index.php/LONTAR/article/view/337
Atkin, A. (2013). Peirce’s Theory of Signs (Edward N. Zalta (ed.), Ed.; (Summer 20). Metaphysics Research Lab, Stanford University.
Bouzida, F. (2014). The Semiology Analysis in Media Studies -Roland Barthes Approach -. SOCIOINT14-International Conference on Social Sciences and Humanities, 10(September), 1001–1007.
Creswell, J. W. (1994). Research Design: Qualitative and Quantitative Approach (4th ed.). Sage Publication.
Danesi, M. (2004). Messages, Signs, And Meaning. In U. of T. Marcel Danesi (Ed.), Volume 1 in the series Studies in Linguistic and Cultural Anthropology (3rd ed., Vol. 3). Canadian Scholars’ Press Inc.
Daylight, R. (2012). The difference between semiotics and semiology. Gramma Journal of Theory and Criticism, 20, 37–50.
Lavers, A., & Smith, C. (1968). Elements of Semiology Roland Barthes (pp. 9–111).
McHugh, S. (2014). Audio Storytelling: Unlocking the Power of Audio to Inform, Empower and Connect. Asia Pacific Media Educator, 24(2), 141–156. https://doi.org/10.1177/1326365X14555277
Mutmainah, A., & Warsana, D. (2021). Analisis Nilai Budaya pada Film Barakati Cultural Values in the Film Barakati. Cinematology: Journal Anthology of Film and Television Studies, 1(2), 43–52.
Piliang, Y. A. (2010). Semiotika dan Hipersemiotika. Penerbit Matahari.
Rizqita, M. R., Supiarza, H., & Pawitan, Z. (2024). The use of formalist techniques and semiotic analysis in depicting social media realities in “budi pekerti”: a study of cinematic composition and social commentary. Jurnal Seni Budaya, 22(2), 168–181. https://doi.org/10.33153/glr.v22i2.6024
Rosenberg, Bernard; Manning, D. (1957). Mass culture; the popular arts in America. Glencoe, Ill., Free Press.
Sri Wahyuni, R., & Fitriani, Y. (2022). DOMINASI EKSISTENSI DRAMA KOREA DIBANDING DRAMA LOKAL. PEMBAHSI JURNAL PEMBELAJARAN BAHASA INDONESIA, 12(2), 68–75.
Suherdiana, D. (2015). Konsep Dasar Semiotika dalam Komunikasi Massa menurut Charles Sanders Peirce. Jurnal Ilmu Dakwah, 4(12), 371. https://doi.org/10.15575/jid.v4i12.399
Yessi, P. S. (2013). Analisis Perilaku Imitasi Dikalangan Remaja Setelah Menonton Tayangan Drama Seria Korea Indosiar. Ilmu Komunikasi, 1(3), 66–80.
DOI: https://doi.org/10.17509/ftv-upi.v4i2.66433
Copyright (c) 2025
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
P-ISSN 2797-7099
E-ISSN 2797-9903
Address:
Program Studi Film Dan Televisi, Fakultas Pendidikan Seni Dan Desain, Universitas Pendidikan Indonesia. Gedung FPSD - Jl. Dr. Setiabudi No.229, Isola, Kec. Sukasari, Kota Bandung, Jawa Barat 40154, Bandung, Provinsi Jawa Barat. (022)200-9198. ftv_fpsd@upi.edu
Cinematology: Journal Antology of film and television studies is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License
