Language Styles Used by the Main Characters in the Movie Cruella (2021)

Clara Shinta Nainggolan, Sari Rejeki, Jordy Satria Widodo

Abstract


This study aims to analyze the language styles used by the main characters, Cruella (Estella) and Baroness, in the Cruella movie (2021). The language use of the two main characters is studied because their socioeconomic classes differ, which leads to variances in language styles. Using a qualitative descriptive method, this study analyzes the language styles and communication components that influence the movie Cruella. Martin Joos’ (1967, as cited in Chaer and Agustina, 2010) theory is used to analyze the types of language styles, whilst Hymes’ “SPEAKING” (2013) theory is used to analyze communication component. The data collection technique used is the uninvolved conversation observation (simak bebas cakap) to understand the use of language styles directly. According to the study’s findings, there are 65 language styles: 26 casual style, 22 consultative style, 13 formal style, and 4 intimate style. The use of these language styles is heavily influenced by communication components such as setting, participants, and conversation goals. The results show that casual style dominates the conversation, suggesting that language is more than just a communication tool; it is also a political and psychological domain where identities are at stake.

Keywords


Cruella (2021); Dell Hymes’ SPEAKING model; Language style

Full Text:

PDF

References


Bordwell, D., Thompson, K., & Smith, J. (2024). Film Art: An Introduction. New York: McGraw Hill.

Chaer, A., & Agustina, L. (2010). Sosiolinguistik: Perkenalan Awal. Jakarta: Rineka Cipta.

Diani, A., Rejeki, S., & Taufik, M. (2021). Language variation of the main character in the movie Black Panther 2018. Journal Albion : Journal of English Literature, Language, and Culture, 3(1), 32–38. https://doi.org/10.33751/albion.v3i1.3347

Holmes, J., & Wilson, N. (2017). An Introduction to Sociolinguistics (5th ed.). Milton Park, Abingdon, Oxon; New York, NY: Routledge.

Hymes, D. H. (2013). Foundations in Sociolinguistics: An ethnographic approach. London: Routledge.

Joos, M. (1967). The Five Clocks: A Linguistic Excursion into the Five Styles of English Usage. New York: Harcourt, Brace & World.

Kriswanto, Y. R. (2019). Analisis penerimaan pemustaka terhadap electronic theses & dissertations di Perpustakaan Universitas Gadjah Mada. Berkala Ilmu Perpustakaan dan Informasi, 15(2), 239. https://doi:10.22146/bip.33633

Salsabila, L., & Permanasari, P. (2022). An Analysis of Language Style Used in “The Princess Switch” Movie and Its Implications in Teaching Speaking. Jurnal Lingua Idea, 13(1).

Tarzia, F. (2025). The origins of Christianity between orality, writing, and images: A mediological analysis. Religions, 16(5), 544. https://doi.org/10.3390/rel16050544

Wardhaugh, R., & Fuller, J. M. (2021). An Introduction to Sociolinguistics. (8 ed.) Chichester, West Sussex: Wiley-Blackwell.

Widodo, J. S. (2022). Reception analysis of Indonesian audience towards physical and verbal violence on series Squid Game (2021) by Hwang Dong-hyuk. Rainbow : Journal of Literature, Linguistics and Culture Studies, 11(1), 57–65. https://doi.org/10.15294/rainbow.v11i1.53347




DOI: https://doi.org/10.17509/cinematology.v5i3.86571

Copyright (c) 2025

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

P-ISSN 2797-7099 | E-ISSN 2797-9903

 

Address:

Program Studi Film Dan Televisi, Fakultas Pendidikan Seni Dan Desain, Universitas Pendidikan Indonesia. Gedung FPSD - Jl. Dr. Setiabudi No.229, Isola, Kec. Sukasari, Kota Bandung, Jawa Barat 40154(022)200-9198. [email protected]

Creative Commons License

Cinematology: Journal Antology of film and television studies is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License