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Transformation of Banjet Mask Dance into Ibing Baya Belenderan
Abstract
This research aims to describe and analyze Ibing Baya Belenderan Dance as the result of the transformation of Topeng Banjet Dance in Padepokan Kalang Kamuning, West Bandung Regency. The focus of the research includes the idea of creation, presentation form, choreographic structure, as well as makeup and dance accompaniment. The research method used is qualitative with a descriptive approach, involving data collection techniques through interviews, observation, and documentation. The results showed that Ibing Baya Belenderan Dance was inspired by Topeng Banjet and Tap Tilu, with a creative process that followed the theories of Graham Wallas (preparation, incubation, illumination, verification) and Alma Hawkins (exploration, improvisation, formation). This dance has 18 main movements and 3 transitional movements, which are presented in six traditional song sections. Makeup and costumes emphasize color symbolism and aesthetic values, while musical accompaniment uses traditional instruments such as rehab and drums to strengthen the nuances of Sundanese culture. This research contributes to the understanding of the transformation of traditional art into a new form that retains cultural values. In addition, the results of the study can be a reference for artists, cultural institutions, and the government in efforts to preserve and develop traditional dance based on innovation.
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DOI: https://doi.org/10.17509/jddes.v6i1.98123
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