SPIRITUALITAS BARU, MEDIA POPULER, DAN PERGESERAN OTORITAS AGAMA: SEBUAH TELAAH ATAS PEMIKIRAN BRYAN S. TURNER
Abstract
This article examines Bryan S. Turner’s reflections in New Spirituality, Media, and Global Religion: The Da Vinci Code and The Passion of the Christ, which explore the shifting religious authority from formal institutions to digital and popular culture spaces. Using sociological and philosophical frameworks, Turner argues that globalization and media production have fostered new forms of spirituality—individualized, market-driven, and decentralized. The paper contextualizes Turner’s insights within Indonesia’s contemporary religious landscape marked by digital piety and commodified spirituality.
Perubahan lanskap religius global dalam dua dekade terakhir telah menggeser otoritas keagamaan dari lembaga formal menuju ruang publik digital dan budaya populer. Artikel ini menelaah pemikiran Bryan S. Turner dalam “Spiritualitas Baru, Media, dan Agama Global: Da Vinci Code dan The Passion of the Christ” sebagai kerangka untuk memahami fenomena tersebut. Melalui pendekatan sosiologi agama, teori pasar religius, dan refleksi filosofis dari Kant dan Weber, Turner menunjukkan bagaimana media dan globalisasi menciptakan bentuk baru spiritualitas yang bersifat individual, konsumtif, dan terdesentralisasi. Esai ini juga meninjau relevansi gagasan Turner terhadap konteks Indonesia, di mana spiritualitas digital dan komodifikasi agama semakin menguat.
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Brown, Dan. (2003). The Da Vinci Code. New York: Doubleday
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DOI: https://doi.org/10.17509/e.v24i3.91642
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