The Effect of the Film Sintas Sailing Soundtrack on Interest in Watching Film and Television Student
Abstract
This journal discusses the use of soundtracks in films. Backsound is understood as sound in the form of music or instruments commonly encountered throughout a film. From this, the meaning of backsound is certainly very different from that of a film's soundtrack. In this context, backsound is crafted as attractively as possible by production houses. A quantitative methodology is employed to measure the impact of music on viewers of survival films. The sample population consists of drifting enthusiasts in the city of Bandung, with a sample size of 30 individuals. The instrument used in this survey is a rating scale of 1-5. This research reveals that backsound creates a more emotional atmosphere in the hearts of film audiences. The process of creating backsound is also not arbitrary. A music stylist must thoroughly understand the content of the film to ensure that the backsound used truly matches the background music they compose.
Keywords
Full Text:
PDFReferences
A, H, C, Ericka. Undiana, N. (2021). Pengaruh Serial Korea “Start Up” Terhadap Minat Kewirausahaan Di Tingkat Mahasiswa. Cinematology, 1(1), 24–34.
Anestis, A. G., & Gousios, C. A. (2015). How Cinema Sounds Affect the Perception of a Motion Picture. Universal Journal of Psychology, 3(5), 147–152. https://doi.org/10.13189/ujp.2015.030503
Cresswell, J. (2009). Research Design: Pendekatan Kualitatif, Kuantitatif and Mixed.EdisiKetiga. Pustaka Pelajar.
Fahmeyzan, D., Soraya, S., & Etmy, D. (2018). Uji Normalitas Data Omzet Bulanan Pelaku Ekonomi Mikro Desa Senggigi dengan Menggunakan Skewness dan Kurtosi. Jurnal VARIAN, 2(1), 31–36. https://doi.org/10.30812/varian.v2i1.331
Gillick, J., & Bamman, D. (2018). Telling Stories with Soundtracks: An Empirical Analysis of Music in Film. Association for Computational Linguistics, 33–42. https://doi.org/10.18653/v1/w18-1504
Görne, T. (2019). The Emotional Impact of Sound: A Short Theory of Film Sound Design. 1, 17–2. https://doi.org/10.29007/jk8h
Jan Philip Muller. (2019). Synchronization as a Sound-Image Relationship. Ludwig Boltzmann Institute.
Kalinak, K. M. (2015). Sound: Dialogue, Music, and Effects. Rutgers University Press. https://books.google.co.id/books?id=nQuvoQEACAAJ
Lazarescu-Thois, L. (2018). From Sync to Surround: Walt Disney and its Contribution to the Aesthetics of Music in Animation. The New Soundtrack, 8(1), 61–72. https://doi.org/10.3366/sound.2018.0117
Ni Made Ras Amanda, D. Y. C. (2015). Pola Konsumsi Siaran Televisi di Denpasar : Statistik Deskriptif. JURNAL EKONOMI KUANTITATIF TERAPAN, 8(2), 129–135.
Priadana, H. M. S., & Sunarsi, D. (2021). METODE PENELITIAN KUANTITATIF. Pascal Books.
Supiarza, H. (2022). Fungsi Musik di Dalam Film : Pertemuan Seni Visual dan Aural Functions of Music in Film : The Meeting of Visual and Aural Arts. Cinematology: Journal Anthology of Film and Television Studies, 2(1), 78–87.
Trento, S., & de G̈otzen, A. (2011). Foley sounds Vs. real sounds. Proceedings of the 8th Sound and Music Computing Conference, SMC 2011, January 2011.
Unger, M. (2016). Sound, Symbol, Sociality: The Aesthetic Experience of Extreme Metal Music. Palgrave Macmillan UK. https://books.google.co.id/books?id=uSHkDAAAQBAJ
DOI: https://doi.org/10.17509/ftv-upi.v4i1.46515
Copyright (c) 2025
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
P-ISSN 2797-7099 | E-ISSN 2797-9903
Address:
Program Studi Film Dan Televisi, Fakultas Pendidikan Seni Dan Desain, Universitas Pendidikan Indonesia. Gedung FPSD - Jl. Dr. Setiabudi No.229, Isola, Kec. Sukasari, Kota Bandung, Jawa Barat 40154, Bandung, Provinsi Jawa Barat. (022)200-9198. ftv_fpsd@upi.edu
Cinematology: Journal Antology of film and television studies is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License
