Kesenian Singa Manuk dari Desa Anggasari Kabupaten Subang 2003-2015

Muhammad Luthfi Abdul Aziz, Didin Saripudin

Abstract


This study aimed to describe the dynamics of Singa Manuk art in Anggasari Village, Subang Regency in 2003-2015. The researcher utilized historical methods, namely heuristics, criticism, interpretation, and historiography. Research’s technique by conducting field and literature studies. Based on the result, the emerge of Singa Manuk art in Anggasari Village was due to a mixture’s cultures between the Subang culture through its Sisingaan art and the typical Pantura dangdut music which was due to artists anxiety in Anggasari Village that such art will be faded. Thus new innovations rise, namely the Singa Manuk art. Singa Manuk art experienced dynamic development, starting from 2003 by Sanggar Genades until 2015. Singa Manuk art in Anggasari Village experienced continuous development and innovation by the artists in the village so that it continues to be favored mostly by the community and preserved. The effort to preserve the Singa Manuk art involves various parties, namely the artists, the district government, the village government as well as the community who take part in preserving the Singa Manuk art.


Keywords


Pelestarian Kesenian, Kesenian Singa Manuk, Kesenian Subang

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References


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Wawancara

Asep Nur Budi (49) Dinas Pendidikan dan Kebudayaan Kabupaten Subang, 27 Desember 2019 di Kantor Dinas Pendidikan dan Kebudayaan Kabupaten Subang

Bopung (60) Seniman sanggar Genades, 23 Januari 2019 di Sanggar Genades.

Dadang Koswara (44) Seniman sanggar Genades 13 Desember 2019 di sanggar Genades.

Shaleh Amawinata (49) pimpinan sanggar Genades, 16 Februari 2019 di sanggar Genades dan 14 Desember 2019 di tempat pementasan Singa Manuk.

Ita Rasita (31) Seniman sanggar Genades, 14 Desember 2019 di tempat pementasan.




DOI: https://doi.org/10.17509/factum.v9i2.27475

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