|
Issue |
Title |
|
Vol 3, No 2 (2015): Agustus 2015 |
Grice’s Conversational Implicature in Written Short Humor Dialogues |
Abstract
PDF
|
Nesya Juliana |
|
Vol 1, No 2 (2013): October 2013 |
Hero Construction Narrative In A Bug’s Life, The Film |
Abstract
PDF
|
Dhea Restu Pradhana |
|
Vol 12, No 1 (2024): April 2024 |
Hero’s Journey Analysis of Denji in The First Part of Chainsaw Man Manga |
Abstract
PDF
|
Aldino Febrian |
|
Vol 10, No 1 (2022): April 2022 |
Hero’s Journey in Percy Jackson and The Olympians: The Lightning Thief |
Abstract
PDF
|
Aditya Nanda Difa |
|
Vol 8, No 3 (2020): Desember 2020 |
Humor Analysis of Monty Python and the Holy Grail |
Abstract
PDF
|
Fauzan Romdhoni Kusnandi, Isti Siti Saleha Gandana, Nia Nafisah |
|
Vol 8, No 3 (2020): Desember 2020 |
Humor functions and flouting of conversatiomal maxims: A case study of humor in Indonesian academic lectures |
Abstract
PDF
|
Alawiyyah Alawiyyah, Wawan Gunawan, Ruswan Dallyono |
|
Vol 3, No 1 (2015): April 2015 |
Identifying Character Presentation and Motherhood Issue Through the Technique of Focalization in The Witch Of Portobello by Paulo Coelho |
Abstract
PDF
|
Rima Putriani |
|
Vol 2, No 1 (2014): April 2014 |
IDEOLOGICAL REPRESENTATION OF GLOBALISM IN RADIOHEAD MUSIC VIDEOS (A SEMIOTIC ANALYSIS OF 2+2=5 AND NO SURPRISES MUSIC VIDEOS) |
Abstract
PDF
|
Risca Puspita |
|
Vol 4, No 1 (2016): April 2016 |
Ideology in Pramoedya Ananta Toer’s Footsteps |
Abstract
PDF
|
Gisa Vadhika Sacawisatra |
|
Vol 13, No 1 (2025): April 2025 |
Illocutionary act analysis on Everything Everywhere All at Once (2022) |
Abstract
|
Miranda Rosalina Ramadi Putri |
|
Vol 13, No 1 (2025): April 2025 |
Illocutionary acts in Glimpse of Us by Joji |
Abstract
|
Muhammad Zaki Zakariyya, Ernie D. A. Imperiani |
|
Vol 1, No 2 (2013): October 2013 |
Indonesian-English Fable Characters’ Representation and Authors’ Worldview |
Abstract
PDF
|
Terra Patriana |
|
Vol 11, No 1 (2023): April 2023 |
Interpersonal Meaning Analysis of Taylor Swift Song Lyrics in Fearless (Taylor’s Version) Album |
Abstract
PDF
|
Salma Nabilla Maulida |
|
Vol 7, No 3 (2019): Desember 2019 |
Interpersonal Meaning of Motivational YouTube Video Headlines |
Abstract
|
Alifia Sabilla Yasmin, Iwa Lukmana, Riesky Riesky |
|
Vol 8, No 2 (2020): Agustus 2020 |
Investigating the types and causes of slips of the tongue of one of the Indonesian female singers |
Abstract
PDF
|
Anggun Harastasya, Dadang Sudana, Ruswan Dallyono |
|
Vol 9, No 1 (2021): April 2021 |
Investigating the use of text modifications in L2 reading |
Abstract
PDF
|
Miksalmina Miksalmina, Wawan Gunawan, Ruswan Dallyono |
|
Vol 4, No 2 (2016): Agustus 2016 |
Journey and Life Purpose in Aleph by Paulo Coelho |
Abstract
PDF
|
Jessica Nathary Thenny Soendayana |
|
Vol 6, No 3 (2018): Desember 2018 |
Kaneki Ken’s Character Arc: A Hero’s Journey Analysis |
Abstract
PDF
|
Hafiz Priansyah |
|
Vol 8, No 2 (2020): Agustus 2020 |
Kodi Lee in Online Media: How is Autism Represented? |
Abstract
PDF
|
Catharina Griselda, Wawan Gunawan, Ruswan Dallyono |
|
Vol 3, No 2 (2015): Agustus 2015 |
Language Interference of Batak Angkola-Mandailing Language to Indonesian: A Case Study |
Abstract
PDF
|
Lita Rizki Fauziah |
|
Vol 1, No 1 (2013): April 2013 |
Languages Attitudes Towards Written Alay Variety in Facebook Interaction |
Abstract
PDF
|
Widya Astuti |
|
Vol 8, No 1 (2020): April 2020 |
Law Case Defendant’s Communicative Strategy in Court Trial: A Maxim Violation Analysisin Court Trial: A Maxim Violation Analysis |
Abstract
PDF
|
Raden Rizki Dwiputri Ramadhiani, Ruswan Dallyono, Ernie D. A. Imperiani |
|
Vol 11, No 1 (2023): April 2023 |
Liberal feminism aspects reflected by the character of Queen Elizabeth II in The Crown Season 1 |
Abstract
PDF
|
Fachrul Nuansa Ilham |
|
Vol 7, No 1 (2019): April 2019 |
Loneliness in Haruki Murakami’s After Dark (2007): A Focalization Analysis |
Abstract
PDF
|
Linna Amanda |
|
Vol 12, No 2 (2024): November 2024 |
Love as Portrayed in the Satellite Music Video by Harry Styles: A Multimodal Analysis |
Abstract
PDF
|
Rahma Naza Shakila, Ernie D. A. Imperiani |
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