Androgynous Representation in The Boy and The Heron: A Semiotic Approach to Visual and Linguistic Identity

Abstract

Androgynous representation in Japanese animation offers a space to explore gender identity beyond binary norms. This study analyses the character Kiriko in The Boy and The Heron (2023) using Peirce’s semiotic approach, with primary data consisting of selected visual scenes and transcribed dialogues. The analysis shows that Kiriko predominantly uses masculine linguistic features such as the pronouns “omae” and “ore” rough interjections like “ora” and “oi” and masculine sentence-ending particles “zo” and “sa” creating a firm and authoritative speaking style. However, in several scenes, Kiriko also uses the feminine pronoun “atai” reflecting flexibility in gender identity. Visually, Kiriko combines masculine and feminine elements through short hair, masculine clothing, and assertive gestures, while still displaying feminine expressions and roles in certain situations. Compared to earlier androgynous characters like Lady Oscar (The Rose of Versailles) and Utena Tenjou (Revolutionary Girl Utena), Kiriko’s identity shifts more fluidly between gendered expressions, reflecting a growing inclusivity in anime representations. These findings highlight that Kiriko embodies a fluid gender representation that challenges stereotype and expands the gender discourse in Japanese anime. This study demonstrates how The Boy and The Heron contributes to a more nuanced and inclusive discussion on gender, and suggests that future research should examine audience responses and the broader cultural significance of androgynous figures in contemporary Japanese animation.